All John Constable Oil Paintings
       Prev  43  44  45  46  47  48  49  50  51  52   Next
  Prev Artist       Next Artist     


John Constable east bergholt rectory oil painting


east bergholt rectory
Painting ID::  68838 		Artist: John Constable
Painting: east bergholt rectory
Introduction: 1810 oil on canvas 15.5x24.5cm se
   
   
     

 

 

 
 

 

 

 
John Constable old sarum oil painting


old sarum
Painting ID::  68910 		Artist: John Constable
Painting: old sarum
Introduction: 1833 mezzotint engraving 20.4x28.3cm se
   
   
     

 

 

 
 

 

 

 
John Constable Malvern Hall, oil painting


Malvern Hall,
Painting ID::  71920 		Artist: John Constable
Painting: Malvern Hall,
Introduction: Malvern Hall, 1809, oil on canvas, Tate Gallery, London.
   
   
     

 

 

 
 

 

 

 
John Constable Constable MalvernHall oil painting


Constable MalvernHall
Painting ID::  73204 		Artist: John Constable
Painting: Constable MalvernHall
Introduction: , 1809, oil on canvas cyf
   
   
     

 

 

 
 

 

 

 
John Constable Beach of Brighton with sailing boats oil painting


Beach of Brighton with sailing boats
Painting ID::  80222 		Artist: John Constable
Painting: Beach of Brighton with sailing boats
Introduction: 1824(1824) Oil on paper 14,9 x 24,8 cm cjr
   
   
     

 

 

 
 

 

 

 
       Prev  43  44  45  46  47  48  49  50  51  52   Next
Prev Artist       Next Artist     
     Check All John Constable's Paintings Here!
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy . Related Artists to John Constable : | arp konfiguration | PYNAS, Jacob | William M. Hanna | Anna Ancher | Master of Frankfurt |

 

 

 
CONTACT US
 Contact us!